Jerzy Grotowski "Poor mans theatre".

Why do we sacrifice so much run to our art? Not in order to teach separates scarce to learn with them what our existence, our organism, our personal and unrepeatable intimacy have to defile the farm us; to learn to break down the barriers which bound us and to free ourselves from the breaks which hold us back, from the lies ab forth ourselves which we do perfunctory for ourselves and for others; to destroy the limitations caused by our ignorance and lack of courage; in short, to play the emptiness in us: to fulfill ourselves. contrivance is neither a state of the soul (in the awareness of well-nigh extraordinary, maverick moment of inspiration) nor a state of man (in the sense of a profession or social function). Art is an evolution, an lift up which enables us to emerge from darkness into a blaze of light. We champion then(prenominal) to discover, to experience the truth about ourselves, to tear a carriage the masks tripe bag which we hide daily. volume see th eatre as a place of provocation, a challenge the factor sets himself and also, indirectly, other mess. dramatic art only has a meaning if it allows people to transcend at that place own stereotyped vision, their universal feelings and customs, our standards of judgment.

This is so that we may experience what is real and if the audience and the actor can put themselves in a state of fatten defenselessness they may uncover and discover themselves. In this way usually through coldcock it allows people to come out from behind their daily masks. People are then able, without privacy anything, to see themselves as what they submarine sandwich consciously did non let themselves see prev iously. Grotowskis work hard-pressed the i! mportance of the actor, and is cognise for a physically demanding style of home bordering on leap choreography. Wojciech... If you want to get a total essay, order it on our website: OrderEssay.net

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