What representations of disability are offered in "The Elephant Man" (1980)?

The Elephant Man is target in 1980, in the Victorian edge where circus shows containing circus freaks were common. The text begins with a montage of curse and provocative compasss, coupled with pounding and eerie music creating an overthrow atmosphere connoting the horror and thriller genres. The soundtrack is mainly non-diagetic, with exceptions of Merricks diagetic breathing to show his nervousness, merely creating a sinister pic of the film in the minds of the earreach. Adding to this image is the shock and horror of the audience of the circus show, causing the elephant mans separate to be closed. The police presence creates a dark image, indicating danger. This could reverb epochte the audiences views of physically and mentally handicapped people at the nous of conviction the film was made, as most people at the age would have viewed them as dangerous and as outcasts. An riddle principle is created throughout the first half of the film, as the audience do no t see the Elephant Man ( ass Merrick) directly. The film world shot in wispy and white reflects the Victorian era the film is set in, and it reflects the black and white views of disabled people of the era. The audience be positioned to empathize with rump Merrick, and to take note of how he is do by by those in his life.

Before Treeves takes Merrick on as his project, Merrick is unceasingly shown in the dark, and cover up, whereas Treeves is shown in light and is a genuinely successful doctor. David kill has used Barthes theory of Binary emulation throughout the film, with the black and white film, the dark and light of John Merrick and Dr Treeves and the views of good and monst rous in the film. The typical freak stereot! ype of disabled people is shown clearly throughout the... If you want to get a full essay, enounce it on our website: OrderEssay.net

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