Dante has a clear need for ghostly guidance in the First Canto--he has reached the midpoint of his life and has found himself in a sullen timberland, symbolic of the mental land in which he finds himself, enclosed on all sides by darkness and uncertainty. He is questioning himself and his spirituality. He is indeed as lost in life as he is on the path where he finds himself wandering first through the wood and then into a dismal valley. The dark wood is the dark wood of Error, and on the other side of that wood Dante meets Virgil, comprehend him at first from a distance and fearing him as a stranger in an unfriendly place.
When he discovers who this man is, he expresses his admiration:
At the same(p) time, those who seek spiritual guidance and a greater density with God still repair to a more plain area, an area more in tune with nature, to escape the world of man as found in the cities. Monasteries and nunneries are spaced from the normal world of human interaction for precisely this reason. Heloise's badgering comes from the fact that she has moved to this setting not from a love of God but from a love for Abelard, and yet following(a) his dictates and taking the veil separates her from her love, separates her from the world of normal human interaction, and leaves her disappointed at being unable to achieve either the somatogenic or spiritual fulfillment she needs.
She's made many people's lives base (Dante 4-5).
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